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Poor Richard's Art, Inc strives to help with the economic development of Historic Downtown Rogers If you are having Web Site issues or would like me to build you a site contact: Ginny Luttrell info@memoriesbygin.net |
The Gathering of Rogers, Inc Poor Richard’s Art & The Rabbit's Lair 116 & 114 South First Street Historic Downtown Rogers, Arkansas 72756 Phone: 479. 636. 0417 Hours of Operation: 9:30 a.m. to 5:00 p.m. Monday through Saturday |
GLASSLANDS PHOTGRAPHS OF BLOWN GLASS I first became fascinated with photography as a child because of my grandfather, who was an amateur photographer. He spent many hours with my older brother and me in the dark room. My interest in early glass began as a teenager in the late 1970s when I discovered an exposed nineteenth-century garbage dump in a construction site in New York City. The site was filled with a great variety of blown glass bottles, some of which I carried away. That event sparked a life long passion for digging up and preserving pieces of the past, and for antique bottles in particular. Beyond the historical association, there is something intriguing to me in the textures and colors of the glass used to make these old bottles. Some of the bottles I unearthed have developed a multicolored patina, or oxidation, from years of burial and contact with moisture. The variety of colors, textures, and patterns are beautiful in normal view, but they take on an otherworldly quality when seen in the GLASSLANDS collection. While concentrating on these psychedelic images, I wished that so many of my interesting, but non-colored bottles could be enlivened with an array of colors like the ones that came out of the ground. This desire to add color to the glass inspired me to focus on a clear bottle which I held up in front of a group of coloredbottles in a sunlit window. Instantly, the clear glass was infused with a combination of colors from behind. By rearranging the bottles on the backlit shelf, an extraordinary variety of colors were created. I use a number of close up lenses to move around and within the glass, allowing me an opportunity to capture otherwise unseen and unknown views on film. I work with natural reflected sunlight only, and by sometimes mixing that light with additional colored glass bottles I create these images. It feels like painting with glass and light while using film as the canvas. GLASSLANDS photographs are offered as custom prints mounted in unique antique frames and as giclees (printed on canvas) in limited editions. |